Thursday, March 15, 2007

Reading and Writing about Comics, McCloud Part I

I chose to read the first comic that I came across on Scott McCloud's website, which is called "The Right Number," and I read both Part I and Part II. It is a story about a man who is looking for the right woman, and the right phone number to lead him to her. He meets a new woman when he incorrectly dials his girlfriend's phone number (he gets the last digit wrong) and ends up dumping the girlfriend for the new woman. But soon, he becomes bored of her as well and comes home early one day to find her cheating on him, so he decides that he needs to go on a hunt for a new number and new woman. HIs mathematical equations and theories about this mission are amusing and confusing, which make him a fun character to read. He also seems to go a bit crazy near the end, stalking and following the new women he comes across, and the comic has an open ending that I find intriguing. I definitely want to know what happens next!

Here is the link if you wish to read it: http://www.scottmccloud.com/comics/trn/intro.html


It was interesting to see the comic on the computer screen because while it still had the comic feel to it, it also seemed like a movie. This was interesting because McCloud discusses the difference between the two so thoroughly in Chapter 1 of UNDERSTANDING COMICS: THE INVISIBILE ART: "Each successive frame of a movie is projected on exactly the same spaces--the screen--while each frame of comics must occupy a different space. Space does for comics what time does for film" (7). I enjoyed reading the comic on the computer because it flowed more like a movie even though "the gutter" (66) still existed between frames. I was very interested in this section of the text because it fascinating how the reader can make instantanious assumptions about what happens between frames, almost to the point where they don't notice the gutter even exists. That is something I hadn't really considered about comics before.

I also noticed in that in this particular comic, he has drawn the characters to look more realistic than he draws himself in his book, yet they are still not drawn in such detail that they look like a real person. I think this is a nice balance because since this is an adult comic, it's appropriate to give the characters a more realistic look. Yet, the images are simple enough that a large number of people could relate to the characters, as McCloud discusses in Chapter 2: "The cartoon is a vacuum into which our identity and awareness are pulled...an empty shell that we inhabit which enables us to travel in another realm. We don't just observe the cartoon, we become it" (36). I also think this is a good technique because his language is more complex and mature in this comic, so the detailed, yet subtle illustration lighten the weight of the language to an extent.

I think Scott McCloud is an extremely intelligent, creative, and brave writer. His comic approach toward discussing adult and academic issues are quite fascinating and a nice change for readers.

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